- Plug & Record Set for DIY Videographer
- Hypercardioid Handheld Transmitter/Mic
- Triple-Diversity Camera-Mount Receiver
- Protected Peer-to-Peer Connection
- Easy to Use, Flexible Operation
- Balanced Output & Headphone Output
- 7-Hr Batteries + USB Power
- Up to 8 Mics on Set / 100′ Range
The Audio-Technica System 10 ATW-1702 is a digital wireless microphone system specifically engineered to meet the audio needs of vloggers, mobile journalists, and videographers. It provides an easy-to-operate solution with sophisticated technology to ensure reliability and high-quality audio for projects ranging from YouTube and wedding videos to corporate spots and interviews.
The ATW-1702 features a dynamic handheld transmitter/microphone with a hypercardioid pickup pattern for man-on-the-street interviews in noisy environments, along with a camera-mount receiver that connects to your DSLR or mirrorless camera via the included 3.5mm output cable. It operates anywhere in the world, transmitting 24-bit/48 kHz audio in the 2.4 GHz spectrum, well away from potential TV and radio interference.
This peer-to-peer system delivers three levels of diversity assurance—frequency, time, and space—for optimal performance at a range up to 100′. Just power up the components, and the receiver automatically seeks out a clean frequency and pairs up with the transmitter, saving you the hassle of scanning and syncing before a shoot. Up to eight wireless mics may be used on set at once.
- Space Diversity: The receiver compares the signal showing up at its two antennas and chooses the strongest one.
- Time Diversity: The transmitter sends the digital signal in two imperceptibly different time slots and compares the two.
- Frequency Diversity: The digital audio is sent over two different frequencies at the same time and the system chooses the cleaner one.
- For optimal performance, users are encouraged to maintain as direct a line of sight as possible between the transmitter and receiver.
- The ATW-T1002 dynamic handheld microphone delivers a natural, broadcast-quality sound optimized for speech intelligibility. Its hypercardioid polar pattern helps to reject unwanted background sound, making it ideal in loud environments such as trade-show floors, busy public areas, or sporting events.
- The output level on the receiver can be reduced by 10 or 20 dB if you find you’re overloading the input to your camera or recording device. The 3.5mm output can be switched to deliver either a balanced or unbalanced signal.
- Both the transmitter and receiver are housed in lightweight, plastic chassis. The included shoemount allows you to easily mount the receiver to your camera.
- With just a quick press, the power switch on the transmitter doubles as a mute function. This function can be locked out to prevent an accident.
- Conveniently, the receiver’s LCD display shows critical information for the receiver as well as the transmitter—including battery status, signal level, mute status, and channel selection for both units.
- An additional 3.5mm output on the receiver allows you to monitor your signal while recording—helpful if your camera doesn’t offer a headphone jack.
- The receiver features a rechargeable lithium-ion battery that provides up to 12 hours of operation. Using the included power adapter, the battery can be recharged via USB in about 4.5 hours, while in operation.
- On the transmitter’s end, power is supplied by two AA batteries, giving you up to 7 hours of shooting time depending on battery type and usage.
- With this peer-to-peer system, you can only use one transmitter and one receiver at once. However, up to 8 transmitters can be paired with the receiver ahead of time. This is useful in situations when you have multiple speakers, one after another, and you need to have them miked up and ready to go. All you’ll have to do is turn one transmitter off and the next one on.
- For hands-free interviews, you can add an MT830cW omni lavalier mic with an ATW-T1001 bodypack transmitter to your system.
Audio-Technica ATW-1702 Specs
| Wireless Technology | Digital 2.4 GHz |
| Included Transmitters | 1 x Handheld |
| Diversity | Frequency, Time & Space Diversity |
| RF Frequency Band | 2400 to 2483.5 MHz |
| Max Operating Range | 100′ / 30.5 m (Line of Sight) |
| Max Transmitters per Band | 8 |
| Sample Rate/Resolution | 48 kHz / 24-Bit |
| Dynamic Range | >109 dBA |
| Receiver Type | Camera-Mount |
| Mounting Options | Belt Clip, Shoe-Mount (with Included Hardware) |
| Antenna | 2 x External, Detachable |
| Number of Audio Channels | 1 |
| Audio I/O | 1 x 1/8″ / 3.5 mm TRS Female Balanced/Unbalanced Output 1 x 1/8″ / 3.5 mm TRS Female Unbalanced Headphone Output |
| Audio Output Level | 1/8″ / 3.5 mm Output: +6 dBV (Balanced) 1/8″ / 3.5 mm Output: 0 dBV (Unbalanced) |
| Frequency Response | 20 Hz to 20 kHz (Dependent on Mic) |
| USB/Lightning Connectivity | 1 x Micro-USB (Bus Power, Charging) |
| Power Requirements | Battery, Bus Power (USB) |
| Battery Type | 1 x Built-In Rechargeable (Not Replaceable) |
| Internal Battery Capacity | 1460 mAh |
| Battery Charging Time | 4 Hours |
| Approx. Battery Life | 12 Hours (Lithium Rechargeable) |
| Display & Indicators | 1 x LCD (Battery Status, Channel, Mute, RF Level) |
| Housing | Plastic |
| Operating Temperature | 32 to 104°F / 0 to 40°C |
| Dimensions | 2.2 x 3.6 x 1.1″ / 55.9 x 91.4 x 27.9 mm |
| Weight | 3.7 oz / 104.9 g |
| Transmitter Type | Handheld |
| RF Output Power | 10 mW |
| Audio I/O | None |
| Muting | Off/On Switch |
| Frequency Response | 20 Hz to 20 kHz |
| Antenna | 1 x Internal, Fixed (Handheld) |
| Power Requirements | Battery |
| Battery Type | 2 x AA (Not Included) |
| Approx. Battery Life | 7 Hours (Alkaline) |
| Display & Indicators | 1 x LCD (Channel) |
| Housing | Plastic |
| Dimensions | 10 x 2″ / 254.8 x 50 mm |
| Weight | 9.9 oz / 280.7 g |
| Microphone Type | Handheld Capsule |
| Sound Field | Mono |
| Capsule | Dynamic |
| Polar Pattern | Hypercardioid |
| Package Weight | 2.075 lb |
| Box Dimensions (LxWxH) | 14 x 7.05 x 3.3″ |
UPC 4961310127688
Fred Ginsburg –
Here is the link to the YouTube video that I just posted with 3 of the walk tests that I did with the System 10 wireless. The unit achieves better than expected range; easily delivering the advertised 100 feet. On multiple occasions, I was getting 150 to over 200 feet. (View and hear the video at http://youtu.be/SnudYcodS0U ) Again, bear in mind that these are low cost systems and not intended to compete against the high quality wireless that we use on major shoots. But for an inexpensive unit, they perform surprisingly well. I brought the system with me to the Cinema TV Arts Dept at California State University Northridge in order to shoot some more tests. CSUN has a soundstage for the film program that is approx 50 ft by 75 feet. Camera and the System 10 stayed in the rear corner, while I moved around the entire space. Even while hovering near a laptop and the lighting dimmer board — the System 10 performed flawlessly. And, yes, there is WiFi in the stage. We went into the main corridor of the film/TV building (Manzanita Hall), which is dotted with electronic RFI emitters and WiFi routers (according to the department’s Chief Video Engineer). The System 10 transmitted perfectly the entire length (approx 150 feet). Heading outside onto campus, on multiple tests we achieved 150 to 250 feet. Although we did encounter the occasional minor dropout on one or two of our footpaths, the unit was always reliable up to 125 feet; and depending on the pathway, sometimes good past 200 feet. I included one of those walk tests, where we made it 220 feet before the signal began to cut out. The aforementioned Video Engineer was curious about transmitting through walls, so I stayed inside the corridor while he went outside and roamed around the exterior of the building. Signal held up nicely passing through just one exterior wall, but did drop out when he turned (still outside the building) 90 degrees from the corridor and thus placed multiple interior rooms in our signal path.
COG13 –
I’ve only used this wireless microphone for a few test sessions at the office. I am impressed with the quality of the set and the ease of setup. The sound quality in my office environment is superior, but the real test will be when I use this at an upcoming tradeshow event. I intend to use this with my Panasonic GH4 and Tascam DR70D for customer testimonials and commentary.
Insipid Virusa –
I love this system. It’s very versatile. I wish I could pair more than one mic, but that would be my only complaint…if I had one. The videos I added to my review were recorded on my Sony A7Sii with this microphone system, the hand-held mic, just out of frame. Except for the Opioid Addiction Conference.
Gerardo Bello –
I usually use wired microphones, but I needed a wireless microphone to work for a media outlet of South America. I use it for outdoor interviews, protests, press conferences etc. I also use it to record voice over. The way that cancels out background noise is amazing, I really did not think it would result as well. Also it never interfered signal. The receiver lets you monitor the batteries. As a negative, the receiver only uses an internal battery. So it will not let you settle for an interview if you run out of energy. Even though not XLR, the sound stays in very good quality. I use a Canon XF 205, 5D mk iii & 7D mk ii.